Kim's Waltz |
Niels Mejlhede Jensen, Bøgeløvsvej 4, 2830 Virum, Denmark. e-mail (web master) |
CONTENTS: (remember: you can use Ctrl Home in usual browsers to get to the top of this page, to the links here)
Photo of the composer: Kim Ravn Jensen. Click the photo to see
Kim and his active group.
1 | melody | the new dancing melody | |
. | chord
text |
Midi metronome = 170 | simple (folk music) chords decided by the composer;
these chords are used to make the other parts or voices in triad harmony; there should be no tension from dissonance anywhere including in octave |
2 | A | (Above), parallel part nearest above in third or little more above | |
3 | B | (Below), parallel part nearest below in third or little more below | |
4 | C1 | C parts are made from A and B parts, and so they are two parts to the melody | |
5 | C2 | C2 is less simple than C1 | |
6 | ns | simple part with the basic dance rhythm ("motor part") |
Use also octave, up and down.
Where wanted, notes can be changed according to the principles (use
a colour pencil), e.g. to improve the B part with some notes from
A.
The music is aimed at dancing, so part of the orchestra can be the
underlying "motor" when another instrument group is playing its "solo"
part (improvisation) as one of the many repetitions.
The double bass may play its usual notes, because of its low pitch.
It is better to choose a more simple part and play it well.
Accordion: beats per bar: 1+2
(See waltz "motor" design).
(Help coming back from that note
sheet: CLICK the note sheet to come back to this page, or just close
the note window.
Remember: the note sheet opens in a new separate window, and that may
cover the whole screen. The back button in the tools bar does probably
not work because the window is new, with no history. All you see on the
page are notes because I have placed no link back here for not disturbing
easy submitting to the printer. Close the note window with a click at the
top or with Alt F4, or minimize or reduce the window, or ..., and you are
back to the main page that was there behind all the time).